![Bang Go the Caresses Bang Go the Caresses](https://jamesromberger.com/wp-content/uploads/2014/02/featured-1-145x145.jpg)
Bang Go the Caresses
Jean-Luc Godard’s 1964 film Contempt inventively deviates from cinematic convention and probes gender relations while it explores miscommunication between people. The storyline is loosely adapted from a 1954 novel by Alberto Moravia, Il Disprezzo [A Ghost at Noon) and depicts the production of a film-within-a film, a cinematic version of Homer’s classic Odyssey. Multileveled ambiguities...
![Neal Adams: Ultraviolence Neal Adams: Ultraviolence](https://jamesromberger.com/wp-content/uploads/2014/02/Adams.jpg)
Neal Adams: Ultraviolence
In the seventies, Neal Adams’ realism, comprehensive draftsmanship, hyperkinetic storytelling and page design, sophisticated coloring and in addition his efforts on behalf of creators’ rights marked him as a potent force in American comics. He seemed poised to do something substantial in comics, something that would pull all of his skills together in a...