James Romberger is an American artist and cartoonist known for his depictions of New York’s Lower East Side. Romberger’s pastel drawings of the ravaged landscape of the Lower East Side and its citizens are in many public and private collections, including the Metropolitan Museum of Art and Brooklyn Museum in New York City.
Posts tagged "James Romberger"
All About Him: Huston's The Dead

All About Him: Huston’s The Dead

“He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude.” -James Joyce, The Dead Director John Huston’s 1987 film adaptation of “The Dead,” the final short story of James Joyce’s collection Dubliners,...
Antonioni and Buñuel: The Ground of Being

Antonioni and Buñuel: The Ground of Being

Thematic connections and similarities can be seen between scenes in films by the Spaniard Luis Buñuel and multiple works by the Italian Michelangelo Antonioni. Two of the 20th century’s greatest directors, Buñuel and Antonioni competed for recognition and took turns winning the same awards on alternative years at film festivals. For example, Antonioni’s L’Eclisse competed...
James Romberger Comics

James Romberger Comics

James Romberger’s ecological comic Post York was published in 2012 by Uncivilized Books; it includes a flexi-disc by his son Crosby and was nominated for an 2013 Eisner Award for Best Single Issue. He is currently working on a follow up. In November 2014  Fantagraphics Books published The Late Child and Other Animals, a graphic...
Wojnarowicz's Apostasy

Wojnarowicz’s Apostasy

“Ants are the only insects to keep pets, use tools, make war and capture slaves.” — David Wojnarowicz A Fire in My Belly, a film with a depiction of fire ants swarming over a crucifix, was removed from the Hide/Seek exhibition at the National Portrait Gallery of the Smithsonian through the intercession of the president...
Exes and Ohs

Exes and Ohs

Jaime Hernandez uses the temporal flexibility of the comics medium to work like memory: moments that are far separated in time recontextualize when put in proximity to each other. He shows that the ways people treat each other resonate unpredictably through their lives. In the world he has built on paper and in ours, passion...
Kirby: Approaching the Threshold

Kirby: Approaching the Threshold

The status of American comics pioneer and creative fount Jack Kirby slipped badly in the space of a few short years in the early 1970s. His highly successful resume at Marvel had led DC to promote his defection to them as their greatest triumph, but their support quickly waned. There was some resentment directed at...
Yearning for Space: a conversation with Tom Kaczynski

Yearning for Space: a conversation with Tom Kaczynski

I first encountered Tom Kaczynski’s work while delving into the substantial collection of comics-related materials in Columbia University’s Butler Library stacks, where there is a run of Fantagraphics’ anthology title MOME. I very much liked Kaczynski’s deliberately drawn short stories such as “100,000 Miles” and then, when I was lucky enough to get a story...
Marie Severin's Due

Marie Severin’s Due

There can be no doubt that Marie Severin deserves a book about her lifelong efforts in comics. More recognition than that would be appropriate even if she wasn’t one of the few well-known female practitioners in the last century. One would think that for her essential role as E.C.’s colorist alone, Severin should at least...
Sammy Harkham: Naturalism and Specificity

Sammy Harkham: Naturalism and Specificity

Sammy Harkham’s Crickets #3 rivals in substance and importance two other comics that were published in a similar format: David Mazzucchelli’s Rubber Blanket #3 and Daniel Clowes’ Eightball #23. Harkham seems to be best known for editing the chameleonic, graphically revolutionary anthology Kramer’s Ergot and he has served his artistic community well with those efforts....