Tonči Zonjić: The Total Approach
I first noticed Croatian cartoonist Tonči Zonjić only recently, when his work appeared in the Image comic Zero, which is written by Ales Kot and drawn by a different artist every issue. Among quite an interesting and eclectic group of artists, Zonjić’s cover and interior art for Zero #9 stand out as informed and moving...
James Romberger Comics
James Romberger comics checklist w: writing a: art c: color Umbra #4 “Lazarus” 9p wa (b&w version) Portugal: Umbra, 2023 Naked Raygun: Broken Things etched 7″ record/ 16p wa & color w/ Josh Bayer Xylophone Media, 2022 Post York (revised, expanded) cover, 100p wa/ “Higher Ground” research essay w/Unbuilt Labs) Berger Books/Dark Horse, 2021 For...
Exes and Ohs
Jaime Hernandez uses the temporal flexibility of the comics medium to work like memory: moments that are far separated in time recontextualize when put in proximity to each other. He shows that the ways people treat each other resonate unpredictably through their lives. In the world he has built on paper and in ours, passion...
Kirby: Approaching the Threshold
The status of American comics pioneer and creative fount Jack Kirby slipped badly in the space of a few short years in the early 1970s. His highly successful resume at Marvel had led DC to promote his defection to them as their greatest triumph, but their support quickly waned. There was some resentment directed at...
Cursing the Darkness: The Last Horrors of Alex Toth
Fear and suspense can be effectively created by the inference of the unknown. What is shown can be less harrowing than what is implied and then forms in the imagination of the reader. The late cartoonist Alexander Toth disliked drawing explicit horror and violence in the style of E.C., what he called “gore-gulping grind and...
The Deceptions of Argo
For the 2013 Best Picture Oscar-winner Argo, Jack Kirby’s Lord of Light artwork was omitted and his crucial role in the CIA’s rescue plot was downplayed and distorted, but that is only a part of the problem with the film. …History cannot be swept clean like a blackboard, clean so that “we” might inscribe our...
Paul Kirchner’s Apocalyptic Sensibility
First published on The Comics Journal: Paul Kirchner began his career at Neal Adams’ Continuity Associates in 1973 and he later served a tenure as an assistant to legendary cartoonist Wallace Wood. His own surreal, meticulously drawn comics were mostly seen throughout the seventies and eighties in slick magazines such as High Times, Heavy Metal...
Neal Adams: Ultraviolence
In the seventies, Neal Adams’ realism, comprehensive draftsmanship, hyperkinetic storytelling and page design, sophisticated coloring and in addition his efforts on behalf of creators’ rights marked him as a potent force in American comics. He seemed poised to do something substantial in comics, something that would pull all of his skills together in a...
Gene Colan: The Hidden Eye
In 2008, Steve Cohen asked me to contribute to a magazine to honor Gene Colan, to be entitled Genezine. I took the opportunity to arrange with Gene and his late wife Adrienne to tape an interview. We met at a pizza joint in midtown Manhattan while they waited for an appointment Gene had at a...
Charles Schulz: High Anxiety
The following was originally done as a presentation for Art Spiegelman’s seminar, “Comix: Marching Into the Canon” at Columbia University in 2007. I think it suited Art’s humor to assign me to do the required audio-visual presentation on a cartoonist we both perceived as far from my usual range of interest. He certainly did me...
Toth, Internalized
Since I am precisely the type of brutally obsessive yet overly sensitive observer that qualifies me to write for The Hooded Utilitarian, I am unable to ignore a few references I have seen online to my “fannish adoration” of the work of genius cartoonist Alex Toth. Answering them also gives me the opportunity to address...
